The Conservatoire de Paris is incomparable. I presume these are undergraduate students, and yet they perform on a level close to Christie’s group. Baroque music is in no future danger with such talent.
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A blog focusing on baroque music and art, alongside contemporary ideals. A Sirnot Ett blog.
The Conservatoire de Paris is incomparable. I presume these are undergraduate students, and yet they perform on a level close to Christie’s group. Baroque music is in no future danger with such talent.
This a great and hilarious traditional staging of a Scarlatti mini-opera (he composed those???) If only other, major early music revival groups took a few notes on the Czech’s success here.
For example, using curtains and tapestries to give the illusion of space worked well for the 18th century - why replace it with regietheater? I think traditional techniques can be used in addition to a modern, or “more relatable” setting, so why not find a balance between both?
While there have been many, many interpretations of Lully’s Le bourgeois gentilhomme over the years, and this being only the ballet suite of it, I am nevertheless impressed by the creative ornamentation and experimentation of Roth’s group. The Turkish march is especially surprising and worth a listen.
After David Teniers the Younger (1610–1690)
An Alchemist In His Laboratory
Justus of Ghent (Joos van Wassenhove)
Allegory of Music
15th century
François Clouet (1515–1572)
A Lady in Her Bath
Circa 1571
Bedford Master
John, Duke of Bedford, praying before St George; from BL Add MS 18850, f. 256v (the “Bedford Hours”).
Held and digitised by the British Library.
Between circa 1410 and circa 1430